Welcome to the Eat, Shop, Play, Love blog. This is a writing experiment that aims to lend a voice to the millions of Asians around the world who have left their native countries to live their lives in a different place, for whatever the reasons may be. Read the authors' profiles here.

Monday, March 21, 2011

Horse With No Name on: Something Like Love

Over St Patrick's day, a week after disaster struck Japan's northeastern coast, the family and I had travelled to a small mountain town in Colorado. I was quietly sitting in a childcare centre at the area's ski resort, watching my younger daughter play with the other kids, when a grey-haired lady cautiously approached me.

“Are you okay?” she asked, her warm, weathered face full of emotion. I was pretty drained from the remnants of a bad cold, so I thanked her kindly for her concern.

She seemed lovely. Despite her age, her outfit belied her energy and obviously eccentric sense of humour: a festive green, tartan skirt, dark knee-high socks, with a green silk flower tucked into a bun in her hair.

But I was tired and distracted, and hesitant to be drawn into conversation. As she went on, I nodded politely, not really hearing her, until the words “quake” and “tsunami” shattered my reverie.

“Is the rest of your family alright?”

It was then that I realised she had presumed my daughter was Japanese, and read my grumpiness as quiet despair for my “fellow countrymen”.

A younger, snarkier me would have coolly pointed out that not all Asian-looking people come from the same country. For some reason, I didn't.

She looked confused when I told her I was from Singapore, which wasn't really in or near Japan. I felt her cringe as she realised her faux pas (It was obvious she meant no offense) and she tried to salvage the situation by asking if anyone I knew was affected by the quake or the subsequent nuclear crisis.

Not wanting to exacerbate her awkwardness, I mentioned I did have a friend with family in Japan, but they were safe. I explained where Singapore was, how far we were from the danger zone, and thanked her for her solidarity with victims of the quake.

She visibly lightened with relief. It was a short, if bizarre, conversation, but I sensed her heart was in the right place, and her sense of empathy was profound, even if it was directed at the wrong person.

I was packing for this road trip to Colorado the day the triumvirate of disaster hit Japan. It was surreal watching that unending flood of water smash through cities and towns, upending homes and annihilating everything in its wake. And the ominous ashy plumes over the Fukushima nuclear plant hung like the most godawful leaden feeling in my gut.

I felt that same way as a young reporter watching the horror unfolding on the news in 2001 and 2004, when New York's Twin Towers collapsed and massive waves consumed towns and villages in Indonesia.

It was a distant, hollow, helpless, sickening sensation. Followed by the need to offer solace to those who were hurt, but not knowing how.

I couldn't help but hear echoes of this sensation in the condolences offered by random Americans we met during our road trip. (Yes, green-skirted St Paddy's lady wasn't the only one who mistook my husband and children for Japanese tourists.)

There were the hotel desk clerks and a waitress at a small sushi restaurant in Utah, and even a stranger in a Colorado national park, who came up to my husband and politely introduced himself before offering (what my husband assumed to be) comforting words in Japanese to my very perplexed two-year-old daughter.

It would have been easy to be cynical about these little episodes. To dismiss them as small-town ignorance trying too hard. But something told me not to give in to the negativity.

Because the outpouring of sadness and solace from these complete strangers was truly astounding. Something in this tragedy had obviously struck a chord with these ordinary Americans. The people of this country are, after all, no strangers to natural disasters.

Seeing and hearing of the devastation heaped upon another nation, a developed nation, one so prepared and ready to meet disaster head-on... Perhaps they too felt that sickening sensation in their guts. And so they tried to offer solace, but didn't know how, or to whom.

At some point, I began to wonder if we weren't providing these well-wishers with a little catharsis for their well of emotions. One desk clerk we met in Holbrook, Arizona, was on the verge of tears as she recounted a group of stranded Japanese tourists she met in California during the week.

“They basically had nowhere to go. Can you imagine going on holiday and then finding out you have no home to go back to?” she asked, her downcast eyes shining with sadness.

These small encounters reminded me that even the smallest gesture counts for something in the grand scheme of healing. .

Because for every ounce of this positive energy, there will surely be those who mock other people's tragedies - dolts in the media who dole out hurt and negativity to bolster their own misguided agendas, anonymous Internet commentators who rejoice at some perceived cosmic vengeance enacted on their behalf.

What good are the good intentions of the ordinary in the face of such extraordinary cynicism?

How can simply feeling empathy compare to volunteers who get into the thick of things, like those I interviewed in the past who helped Indonesians affected by the 2004 tsunami rebuild homes and schools?

In the last couple of days since returning home, I've realised empathy is just the beginning. You need that spark of emotion to spur you into action. And if action is the enemy of helplessness, then there those in our midst already in the thick of battle.

And I'm not talking about the big charity or relief groups. While I ineffectually wrung my hands, wondering how or what to do, there were those who took what talents they have and translated them into ways to help and heal.

As a regular crafter, I often scroll through Etsy, an online market for handmade goods, for inspiration. Now, you'll find a growing number of sellers there donating 100% of their profits on certain products – from jewellery to art – to aid for Japan.

Then there's this craft-loving mama of three little girls. She grew up in Singapore and now lives in the US, and writes a brilliant, funny sewing tutorial blog called Ikatbag. Despite how busy she always seems from her blog entries, she created what she calls an “Owie Doll” for Japan, with proceeds going to a charity to aid relief efforts.

Even though the sale on the doll has closed for now, she mentioned on her blog that she might start it up again soon.

Similarly, a team of two ladies who run a children's fashion-and-toys start-up in South Africa are selling a specially designed doll, nicknamed Georgie, to lend a hand.

“My friend Aki is in Japan and over the last week I was frantically trying to get hold of her,” explained Devika Rosalind Muttiah, who along with Barbara Geldmacher, helps to design clothes and dolls for their company, called baba-dash.

Frustrated when she couldn't get help to her friend through expeditions that were heading to the disaster-ravaged country, Devika said a “lightbulb went off over her head” and she realised what she could do.

Coupled with Barbara's creative design of the doll, the duo are hoping to team up with a reputable South African charity through which they hope to send money from the sale of Georgies, which they are currently only selling in South Africa, to fund aid to Devika's friend and her friend's community in Japan.

Hearing and reading of work like this, I'm slowly beginning to realise that even if I can't join a rescue expedition to Japan, I can still try to contribute. It's just a matter of harnessing what I do, what I have or what I know in order to move forward.

Like writing about those who are taking action, and giving their causes an extra voice.


Or gathering warm clothes my family no longer needs (thanks to the short Arizona winter) and finding a way to donate them to some of the hundreds of thousands now left homeless in Japan, many of whom are trying to salvage what's left of their lives while battling the frigid and seemingly unending Japanese winter.

“Are you okay?” It's amazing what three little words can do. That simple, innocent act of reaching out to a stranger, to make a heart-felt connection, might mean a world of the difference between individuals floundering in pain, and a global community trying to find its footing together.



Sunday, March 20, 2011

Rojak Timeout: A Tribute to Ah Gong

Today's timeout is by Una Ragazza, who wrote the following note to her grandfather for the memorial service that took place during his second death anniversary this month.

For all of you who ever had a relationship with your grandfather, this is for them too.


* * *

My earliest memories of my grandfather were that of a stoic man bent over a sink while rotating a papaya or a pineapple in his left hand and fiercely carving away at the fruit's skin with his right. The thought of 121 Telok Ayer Street brings to mind the colors, sounds and smells of a busy, crowded household. I can almost taste his homemade starfruit juice and multicolored agar-agar.

These were fond memories of my favorite man when I was growing up.

Every night, as the Chinese drama serial on SBC Channel 8 started to wind down around 10:30, it was the cue that the shutters at the front of our fruit shop would be coming down shortly after. My ah gong was finally closing shop to join us in the living room for a little bit of TV and relaxation before bed, and before a whole new day would start and repeat itself all over again.

"As skinny as your ah gong" was to be a refrain that I would hear throughout my childhood. For some reason, it was a mark of pride for me. Something that I could share with him. I enjoyed being told that I'm the only grandchild with wavy or curly hair, just like how my dad, and his dad, are the only ones in their respective generations with "different" hair.

They say men -- especially Chinese men, or old Chinese men to be precise -- don't know how to show love. Or, could it perhaps be that we were just not paying enough attention?

My ah gong showed me plenty. I loved the way he answered my shouts of "Ah Gong!" whenever I came through the front door with a prolonged "O...y!" He was always so happy to see me and would run up -- or look up from his Lianhe Zaobao or Wanbao -- with a beaming face.

I can probably write a little book about everything I remember about him, but for now, for today, these few tidbits are enough for me to remember and celebrate my ah gong. A man whom I've come to know as a provider, a family anchor, an acrobat (remember the fruit-cutting?), a soccer fan, a loving husband (all the way until her last breath), and the ever-present grandfather that had taught me diligence and love in his own way.

Ah gong, if you were still here today, I bet you'd love to go for a bike ride in Central Park with me. And race me up Harlem Hill. In the meantime, let me keep practicing so I don't lose too miserably when we next see each other.


121 Telok Ayer Street: the shop house of special significance to both ah gong and me


A piece of home that I will always love


Sunday, March 6, 2011

Una Ragazza on Play: The Star-Spangled Banner

The American national anthem is well-acknowledged to be difficult to sing. Spreading over one and a half octaves, it causes the band to start off with the lowest possibly "O! Say can you see..." so that we would not be screeching by the time we reach "O'er the land of the free..."


The original star-spangled banner made in 1813 that now hangs in the National Museum of American History in Washington, D.C. One star was apparently cut out and given to an important official

Having grown up in Singapore, and having memorized the national anthem, “Majullah Singapura” since I was five after being chosen to raise the flag in the kindergarten playground every morning, I had come to assume that everybody knows and sings his own national anthem in the same context that I had back home.

In secondary school (the term for middle school in former British colonies), because I was enrolled in a dominant Chinese institution, the Chinese school song was also sung every day. For many years, including the time when my sister was a student, it was also followed by morning exercises. I soon learnt that this was an import from the Chinese mainland, where physical exercises along with the singing of patriotic songs is de riguer not only in schools but also in some companies (such as factories).


Primary school kids in Singapore singing the national anthem during the morning assembly

When I was a child living in Chinatown in Singapore, I also recall falling asleep in front of the television only to be awakened by the national anthem loudly playing to signal that programming for the day had been completed.

Perhaps because of its connotation as a national anthem, I was under the impression that these associations with the national song were uniform around the world.


The ubiquitous logo of the Singapore Broadcasting Corporation, which used to play the national anthem at the end of each day's programming

In a way, the above may explain my slight surprise in hearing the Star-Spangled Banner being played before the Westminster Kennel Club Dog Show, possibly the most famous pet competition in the world that takes place each February in New York.

I soon learned that the U.S. national anthem is not sung in schools across America, although the pledge of allegiance is. The anthem, in fact, is sung at the beginning of every sporting event and major competition in this country.


Dogs and humans alike stand at attention for the Star-Spangled Banner at the start of the Westminster Kennel Club Dog Show in Madison Square Garden



Unlike in Singapore, where I'm used to hearing Majullah Singapura sung in unison with the accompaniment of a brass band, here in America, the Star-Spangled Banner is often led by a celebrity.

Most of the time, the celebrity add his or her personal touch to the song. The result is often positive. Unfortunately, the most recent memory among Americans is that of Christina Aguilera getting the lyrics wrong at this year's Super Bowl.

One especially unusual performance of the song took place on September 12, 2001, after the United States had been attacked by terrorists the day before: it was played by the Band of the Coldstream Guards at Buckingham Palace in London at the ceremonial Changing of the Guard as a gesture of support for Britain's ally.

Perhaps the most controversial, albeit fascinating, rendition of the Star-Spangled Banner is that performed by Jimi Hendrix at the historic Woodstock music festival in August 1969. Dramatically played on a screeching electric guitar that simulated dropping bombs, blasting explosions and firing machine guns, it echoed as a backdrop to what the nation was going through at that time -- the Vietnam War. Modern-day listeners may feel that it is a piece of artwork that may have made its way into the Museum of Modern Art.


Jimi Hendrix performing the Star-Spangled Banner at Woodstock in 1969

Which brings a geek like me to ask the question of how much we all know about national anthems around the world.

With some research, I've come up with the names of 10 national anthems. In English. See how many you can guess correctly. When you're done, click on the first comment to view the answers.

Enjoy!

1. The March of the Volunteers
2. My Country, My Country, My Country
3. My Homeland
4.
The Soldier's Song
5. The Hope
6. Up Above the Young Rhine
7.
Hundreds of Flowers
8.
Yes, We Love This Country
9.
Chosen Land
10. Glory to the Brave People

(Some pictures and videos taken from the Internet)